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ISBN10: 1265307350 | ISBN13: 9781265307356
Tonal Harmony, 9th Edition
ISBN10: 1265307350
ISBN13: 9781265307356
By Stefan Kostka and Byron Almén
© 2024
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ISBN10:
1265307350 |
ISBN13: 9781265307356
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1264094752 |
ISBN13: 9781264094752
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1265336733 |
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1264638604 |
ISBN13: 9781264638604
- Comprehensive online learning platform + unbound loose-leaf print text package
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- Download the free ReadAnywhere app to access the eBook offline
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Orders within the United States are shipped via FedEx or UPS Ground. For shipments to locations outside of the U.S., only standard shipping is available. All shipping options assume the product is available and that processing an order takes 24 to 48 hours prior to shipping.
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McGraw Hill eBook
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1265336113 |
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Loose-Leaf Purchase
ISBN10:
1265307350 |
ISBN13: 9781265307356
Details:
- Unbound loose-leaf version of full text
Hardcopy
ISBN10:
1264094752 |
ISBN13: 9781264094752
Connect (3 Years Access)
ISBN10:
1265336733 |
ISBN13: 9781265336738
Details:
- Integrates in your LMS
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Connect + Loose-Leaf
ISBN10:
1264638604 |
ISBN13: 9781264638604
Details:
- Comprehensive online learning platform + unbound loose-leaf print text package
- Connect includes homework, study tools, eBook, and adaptive assignments
- Download the free ReadAnywhere app to access the eBook offline
* The estimated amount of time this product will be on the market is based on a number of factors, including faculty input to instructional design and the prior revision cycle and updates to academic research-which typically results in a revision cycle ranging from every two to four years for this product. Pricing subject to change at any time.
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Tonal Harmony with an Introduction to Post-Tonal Music is intended for a two-year course in music theory/harmony. It offers a clear and thorough introduction to the resources and practice of Western music from the seventeenth century to the present day. Its concise, one-volume format and flexible approach make the book usable in a broad range of theory curricula. For a generation of professionals in the musical community, Tonal Harmony has provided a comprehensive, yet accessible and highly practical, set of tools for understanding music. With McGraw Hill’s Connect®, students are better equipped to understand and master the vocabulary of music efficiently, allowing them to move on more quickly to advanced musical skill-building.
Part I: Fundamentals
Chapter 1: Elements of Pitch
Chapter 2: Elements of Rhythm
Chapter 3: Introduction to Triads and Seventh Chords
Chapter 4: Diatonic Chords in Major and Minor Keys
Part II: Diatonic Triads
Chapter 5: Principles of Voice Leading
Chapter 6: Root Position Part Writing
Chapter 7: Harmonic Progression and the Sequence
Chapter 8: Triads in First Inversion
Chapter 9: Triads in Second Inversion
Chapter 10: Cadences, Phrases, Periods, and Sentences
Chapter 11: Two-Part Tonal Counterpoint
Chapter 12: Nonchord Tones 1
Chapter 13: Nonchord Tones 2
Part III: Diatonic Seventh Chords
Chapter 14: The V7 Chord
Chapter 15: Other Diatonic Seventh Chords
Part IV: Chromaticism
Chapter 16: Secondary Functions 1
Chapter 17: Secondary Functions 2
Chapter 18: Modulations Using Diatonic Common Chords
Chapter 19: Some Other Modulatory Techniques
Chapter 20: Larger Forms
Part V: Chromaticism 2
Chapter 21: Mode Mixture and the Neapolitan
Chapter 22: Augmented Sixth Chords
Chapter 23: Enharmonic Spellings and Enharmonic Modulations
Chapter 24: Further Elements of the Harmonic Vocabulary
Chapter 25: Tonal Harmony in the Late Nineteenth Century
Part VI: An Introduction to Twentieth-Century Music
Chapter 26: Materials and Techniques
Chapter 27: Post-Tonal Theory
Chapter 28: New Directions
Chapter 1: Elements of Pitch
Chapter 2: Elements of Rhythm
Chapter 3: Introduction to Triads and Seventh Chords
Chapter 4: Diatonic Chords in Major and Minor Keys
Part II: Diatonic Triads
Chapter 5: Principles of Voice Leading
Chapter 6: Root Position Part Writing
Chapter 7: Harmonic Progression and the Sequence
Chapter 8: Triads in First Inversion
Chapter 9: Triads in Second Inversion
Chapter 10: Cadences, Phrases, Periods, and Sentences
Chapter 11: Two-Part Tonal Counterpoint
Chapter 12: Nonchord Tones 1
Chapter 13: Nonchord Tones 2
Part III: Diatonic Seventh Chords
Chapter 14: The V7 Chord
Chapter 15: Other Diatonic Seventh Chords
Part IV: Chromaticism
Chapter 16: Secondary Functions 1
Chapter 17: Secondary Functions 2
Chapter 18: Modulations Using Diatonic Common Chords
Chapter 19: Some Other Modulatory Techniques
Chapter 20: Larger Forms
Part V: Chromaticism 2
Chapter 21: Mode Mixture and the Neapolitan
Chapter 22: Augmented Sixth Chords
Chapter 23: Enharmonic Spellings and Enharmonic Modulations
Chapter 24: Further Elements of the Harmonic Vocabulary
Chapter 25: Tonal Harmony in the Late Nineteenth Century
Part VI: An Introduction to Twentieth-Century Music
Chapter 26: Materials and Techniques
Chapter 27: Post-Tonal Theory
Chapter 28: New Directions
About the Author
Stefan Kostka
Byron Almén
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