My Account Details
ISBN10: 1260493466 | ISBN13: 9781260493467
Music in Theory and Practice Volume 2, 10th Edition
- Lowest Price!
McGraw Hill eBook
Loose-Leaf Purchase
Unbound loose-leaf version of full text
Shipping Options
- Standard
- Next-day air
- 2nd-day air
Orders within the United States are shipped via FedEx or UPS Ground. For shipments to locations outside of the U.S., only standard shipping is available. All shipping options assume the product is available and that processing an order takes 24 to 48 hours prior to shipping.
Hardcopy
Complete text bound in hardcover or softcover
Shipping Options
- Standard
- Next-day air
- 2nd-day air
Orders within the United States are shipped via FedEx or UPS Ground. For shipments to locations outside of the U.S., only standard shipping is available. All shipping options assume the product is available and that processing an order takes 24 to 48 hours prior to shipping.
Product
McGraw Hill eBook
Details:
- Normally the lowest price option for students
- Integrates in your LMS
- Accessible tools for students, including read-aloud functionality, jump links and dynamic note-taking and highlighting features
Loose-Leaf Purchase
Details:
- Unbound loose-leaf version of full text
Hardcopy
Product
* The estimated amount of time this product will be on the market is based on a number of factors, including faculty input to instructional design and the prior revision cycle and updates to academic research-which typically results in a revision cycle ranging from every two to four years for this product. Pricing subject to change at any time.
This best-selling program gives music majors and minors a solid foundation in the theory of music. Music in Theory and Practice 10e strengthens musical intuition, builds technical skills, and helps gain interpretive insights. The goal of the content is to instruct readers on the practical application of knowledge. The analytical techniques presented are carefully designed to be clear, uncomplicated, and readily applicable to any repertoire.
The two-volume format ensures exhaustive coverage and maximum support for students and faculty alike. Volume I serves as a general introduction to music theory while Volume II offers a survey of the theoretical underpinnings of musical styles and forms from Gregorian Chant through the present day. The supplemental instructor's materials provide clear-cut solutions to assignment materials. Music in Theory and Practice is a well-rounded program that integrates the various components of musical structure and makes them accessible to students at the undergraduate level.
Resources available from the Connect Online Learning Center include printable versions of the Instructor’s Manuals and Workbook Solutions Manuals, audio files, assignment templates compatible with Finale® Music Notation software, supplementary drill assignments, testing materials, and recordings. Audio files available for this edition of Music in Theory and Practice are identified throughout the texts and workbooks with the ♫ graphic.
Part C: The Renaissance And Baroque Periods
Chp. 18: Late Renaissance Polyphony
Chp. 19: Two-Voice Eighteenth Century Counterpoint
Chp. 20: The Fugue
Part D: Chromatic Harmony
Chp. 21: Borrowed Chords
Chp. 22: Neapolitan 6th Chords
Chp. 23: Augmented 6th Chords
Part E: The Classical Period
Chp. 24: Variation Technique
Chp. 25: Sonata Form
Chp. 26: Rondo Forms
Part F: Extended And Chromatic Harmony
Chp. 27: 9th,11th, and 13th Chords
Chp. 28: Altered Dominants
Chp. 29: Chromatic Mediants
Part G: The Nineteenth And Twentieth Centuries
Chp. 30: The Romantic Period
Chp. 31: The Post-Romantic Style
Chp. 32: Impressionism and Related Styles
Chp. 33: The Early Twentieth Century
Chp. 34: Pitch-Class Set Theory
Chp. 35: Twelve-Tone Technique
Postlude: Music Since 1945
Appendix G Summary of Part-Writing Practices
Appendix H Macro Analysis Symbols
Appendix I Popular Music Chord Symbols
Glossary
Credits
Index
About the Author
Bruce Benward
Bruce Benward has been widely regarded as one of the most gifted music theory pedagogues since his textbooks first appeared in the 1960s, and has exerted a wide influence on the teaching of music theory both through his writings and through the generation of teachers that he taught. He recently retired from the University of Wisconsin at Madison.
Marilyn Saker
Need support? We're here to help - Get real-world support and resources every step of the way.